Abstract

Gilles Deleuze, arguably the best-known theorist of virtuality, describes the virtual as part of an ontology of becoming and multiplicity: he sees the virtual as a characteristic of being which is directly opposed to, but simultaneously constitutive of the actual aspect of reality, as a force that works mostly invisibly, but powerfully within the interstices of the material world, introducing constant flux into reality through its negotiations with the actual.1 This conception of the virtual represents something of a leitmotif for the forty-four essays collected in The Oxford Handbook of Virtuality. The collection offers a wide range of approaches to virtuality as a philosophical and aesthetic concept as well as a...