Abstract

Recent work by Eliot Sober regarding the logical structure of the design argument challenges widely held views on how the history of this argument should be understood. This novel “likelihood interpretation” denies that the design argument is an analogical argument. Instead, Sober suggests that all references to artifacts serve an exclusively heuristic function, and do not play an evidential role in the design argument. In contrast, I contend that philosophical considerations as well as historical analysis of the works of David Hume and William Paley establish that the design argument should be understood as a sophisticated analogical argument, albeit one susceptible to Philo’s most refined skeptical arguments.