Abstract

ABSTRACT Research has found humour and gender to be linked, 96–113. doi:10.1016/j.pragma.2005.06.006; Kotthoff 2006, Gender and humor: The state of the art. Journal of pragmatics, 38, 4–25. doi:10.1016/j.pragma.2005.06.003), specifically within languages/cultures, The pragmatics of humour across discourse domains. John Benjamins, for jokes in Russian). In this respect, women are often subject of jokes and, in some cases, this reproduces the gendered imbalance of suitable roles in private and public spaces. In this paper, I examine the message of two jokes told by Italian fathers policing their daughters’ sexuality, as well as the interactions between myself and these fathers on Twitter. Using Feminist Critical Discourse Analysis, 141–164. doi:10.1080/17405900701464816; Lazar, 2018, Feminist Critical Discourse Analysis. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge), Social Media Critical Discourse Studies. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge) and through adapting a framework designed to approach sexist jokes, 207–228. doi:10.1558/genl.v1i2.207), I discuss: the ‘who/what the text is about’, and a desire to a traditional fatherhood emerging from the interactions in it’s just banter and the good and happy father. Specifically, I discuss fatherhood as linked to an ontological desire, 213–239. doi:10.1558/genl.v5i2.213) in connection to an alleged transition from old to new fatherhood, 76–92. doi:10.1177/0011392112464231) in Italy.