Re-imagining the Public Sphere: Malebranche, Schmitt's Hamlet, and the Lost Theater of Sovereignty

Telos: Critical Theory of the Contemporary 2010 (153):70-93 (2010)
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Abstract

ExcerptExisting analyses of Carl Schmitt's account of representation tend to treat together Roman Catholicism and Political Form (1923), which is concerned with the Catholic Church's “representation,” and Constitutional Theory (1928), which touches on representation vis-à-vis more traditional political questions.1 Such treatments typically lean heavily on a particular passage from the later text to explicate the earlier: To represent means to make an invisible being visible and present through a publicly present one. The dialectic of the concept is that the invisible is presupposed as absent and nevertheless is simultaneously made present. That is not possible with just…

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