Abstract

The aim of this article is to reconstruct the contributions that Wittgenstein made to the field of aesthetics. The focus of interest lies on the theory of sensory perception. This theory is characterized as a program of “minimal visibilia” and will be analyzed by employing the phenomenological method. Three problems are addressed in the context of the visual space, such as blurredness, indistinctness and sensory impressions. A distinction between the visual space and the Euclidean space can only be made by comparing their respective typical structures. We will particularly analyze the relation that exists between the perceiving human being on the one hand and the visual space on the other hand. In order to get a deeper insight into this problem the visual space shall be compared to a two-dimensional picture. Moreover the role and function of the colours have to be clarified to establish a “minimum visibilia”.