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How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War
Chicago: University of Chicago Press (1983)
Abstract
"A provocative interpretation of the political and cultural history of the early cold war years.... By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."--New York Times Book Review.
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My notes
Similar books and articles
Serge Guilbaut, "How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War". [REVIEW]Casey Blake - 1984 - Telos: Critical Theory of the Contemporary 62:211.
James Sloan Allen, "The Romance of Commerce and Culture: Capitalism, Modernism and the Chicago-Aspen Crusade for Cultural Reform"; Serge Guilbaut, "How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War".Casey Blake - 2005 - Telos: Critical Theory of the Contemporary 62.
The Transformation of the Avant-Garde: The New York Art World, 1940-1985.Diana Crane - 1987 - University of Chicago Press.
Art-as-politics: The Abstract Expressionist Avant-garde and Society.Annette Cox - 1982 - Umi Research Press.
In the Process of Poetry: The New York School and the Avant-garde.William Watkin - 2001 - Bucknell University Press.
"The Noble Buyer": John Quinn, Patron of the Avant-garde.Judith Zilczer - 1978 - Smithsonian Books (DC).
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Citations of this work
Bakhtin and the Russian Avant Garde in Vitebsk: Creative understanding and the collective dialogue.E. Jayne White & Michael A. Peters - 2017 - Educational Philosophy and Theory 49 (9):922-939.
The new class and state patronage of the arts in Canada.Evan Alderson - 1990 - World Futures 28 (1):203-215.
A note on Nick Zangwill's `against the sociology of art'.Bridget Fowler - 2003 - Philosophy of the Social Sciences 33 (3):363-374.
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