Abstract

This article discusses the image of Tarlon in the story "Evening neighed Horse" by Tog'ay Murad, one of the writers who made a significant contribution to the image and depiction of animals in modern Uzbek prose. First of all, in the epics such as "Alpomish" and "Gorogli", which are examples of folklore, there are views on the logical continuation of the images of Boychibor, Girat, as well as the creation of a new image and the writer's stylistic skills. The article reveals that the image of Tarlan and the protagonist Ziyodulla Kal reflect the feelings of friendship and brotherhood, examples of human and creative qualities in the relationship of the two images. There are comments and arguments about the peculiarities of this image and the writer's close national language.