Abstract

“Atsumori” is a Noh play composed by master playwright Zeami sometime before 1423, featuring characters from the Tales of the Heike. Although popular to this day, the philosophical significance of the play remains underdeveloped and underappreciated. Prima facie, it features a ghost who is liberated thanks to the sincere prayer of the priest who killed him. Simplistic reading would yield simplistic understanding of the characters and their dynamism, and would fail to appreciate, for instance, the agency of the ghost or the liberation of the priest. Accordingly, some regard the play as falling short of the highest aesthetic value, insofar as its protagonist fails to attain liberation through his own effort. Some even contend that the ulterior purpose of the play is to portray ghosts as powerless and desperate so that vanquishers need not fear vengeful ghosts. While it is possible that Zeami indeed held such ulterior intention and regarded it as second rank for the protagonist’s lack of agency, I shall present a different reading that would yield a richer appreciation of the characters and their dynamism. I do so by regarding the “friendship of dharma” that occurs at the culmination of the play as “existential communion” as presented in Tanabe Hajime’s later philosophy. That is, the play need not be read as a story about a living priest saving a dead warrior—it can be read as about two lost souls saving each other, through mutual acceptance, mutual sacrifice, and collaborative mediation of the Absolute. For this purpose, the paper first delineates Tanabe’s later philosophy with a focus on the idea of existential communion. Then it introduces “Atsumori” and discusses its philosophical significance. An impasse due to the scope of the play will be identified, which I call “the problem of epistemic authority,” and to fill the gap I will introduce and discuss another spin-off story featuring Atsumori. The paper intends to offer a philosophically richer reading of the play to invite readers to think deeply and creatively about Noh.