Abstract

There would be, beyond the work carried out with Philippe Lacoue-Labarthe on the Jena Romantics—the first phase of German Romanticism—in The Literary Absolute (1978; trans. 1988), a “romanticism”, recurrent and yet problematised, of Jean-Luc Nancy. Set forth in a little-known text on Flaubert, this “romanticism” reveals itself to be, not of a school of thought nor of a fantasy, but of a form insofar as it is conveyed by a very new regime of thinking. Moreover, it must itself be overcome, by following the infinity of sense that the fragmentation of totalities qua the world imposes.