Abstract

This work emerges from The Panacousticon, a performative response in the form of a script by Caroline Wilkins (2016, 109-118) to an original essay by Freddie Rokem on eavesdropping in classical theatre (2015). As a sequel it has developed into a co-authored digital work in collaboration with multi-media artist Leona Jones. With W/Ringing Ears draws a link between the Panacousticon, a listening device invented in the 1600s by philosopher Athanasius Kircher, and both analogue and digital tools of surveillance emerging over the last two centuries, presented in the form of images of eavesdropping. It comprises a re-worked audio script based on the original and excerpts from sound recordings made from this new material. Emerging from the images is a contextual provocation on hearsay and virtual (mis-)information assailing our ears at this time of pandemic crisis, as well as the re-appearance of the original play script by Wilkins. The oral event of philosophising rebounds from the aural one. The acts of speaking and listening lead to the act of philosophising. Thus an initial experience of immediacy develops into a joint audio-phonic work, an acoustic act, a live encounter between performance and philosophy.