Abstract

Writing in a special issue of this journal dedicated to the theme “Irish Utopias” almost a decade ago, Tom Moylan framed in explicitly spatial terms the historical complexity of the utopian problematic in the Irish context and posited the existence of “a ‘utopian’ strain in Irish culture”: “[The] proclivity to imagine … hopeful other places, to think possibility by way of places that are, simultaneously, specifically located, bounded, and yet open and potentially transformative takes many forms in the Irish cultural heritage, morphing through time, often contradictory or conflictual, yet often incorporating an oblique, prismatic entry to a marvellous space that enables the writer, singer, or artist (or traveller...