Abstract

The text reconstructs central theoretical positions in the discourse of modernity in the Weimar Republic in the double semantic context of crisis and contingency. On the one hand, these categories ground the dialectic of destruction and construction, which provides hegemonial evidence for the political and aesthetic concepts of totality in classical modernity. On the other hand, these categories also ground the openness of a thinking in possibilities, which remained marginal in the Weimar Republic but has become dominant in the postmodern critique of modernity.