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A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture , edited by Peter Brunette and David Wills
Film-Philosophy 2 (1) (1998)
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Similar books and articles
Brunette, Peter and David Wills. Screen/Play: Derrida and Film Theory.Murray Smith - 1991 - Journal of Aesthetics and Art Criticism 49 (3):268-268.
Deconstruction and the Visual Arts: Art, Media, Architecture.Peter Brunette - 1996 - Journal of Aesthetics and Art Criticism 54 (4):405-406.
Deconstruction and the visual arts: art, media, architecture.Peter Brunette & David Wills (eds.) - 1994 - New York, NY, USA: Cambridge University Press.
The domestication of the house: deconstruction after architecture.Mark Wigley - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 203--27.
The Heuretics of Deconstruction.Gregory Ulmer - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 80--95.
The spatial arts: an interview with Jacques Derrida.Peter Brunette & David Wills - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 9--32.
Light in painting: dis-seminating art history.Mieke Bal - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 49--64.
Modernity Again: The Museum as Trompe L'Oeil.Donald Preziosi - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 141--150.
Cinema-Graphia: Eisenstein, Derrida, and the Sign of Cinema.Laura Oswald - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 248--263.
Double Vision: Perspectives on Gender and the Visual Arts.Natalie Harris Bluestone - 1995 - Fairleigh Dickinson Univ Press.
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