Abstract

Hannah Arendt’s political theory is often understood to rest on a celebration of action, the memorable words and deeds of named individuals, over against the anonymous processes constitutive of ‘labor’ and ‘society’. Yet at key moments in _The Human Condition_ and _The Origins of Totalitarianism_, Arendt seems to signal a different relationship between political action and anonymity; and she does so in part via citations of the novels of William Faulkner. Using the apparently contradictory notion of ‘anonymous glory’ as a heuristic, this essay reconsiders Arendt’s political thought through readings of the novels she cites, _A Fable_ and _Intruder in the Dust_. The essay argues that, for Arendt, a conception of action adequate to the scale of modern social power must somehow be both indelibly tied to individual deeds and immersed in a processual field that is indifferent to the needs for meaning or purpose or satisfaction that individuals bring to what they do; and that Arendt’s engagement with this problem both complicates the relation of action to its supposed opposites, and makes it more difficult to conceive of action’s recovery as a reliable source of theoretical or political redemption.