Abstract

Descende caelo, Horace's ode 3.4, challenges the reader with an elaborate Pindaric architecture embracing seemingly disparate elements. After an opening invocation, the poet discourses at length on how the Muses protect him, then abruptly notes that those goddesses also nourished Octavian after his recent military campaign. This breaks off into a composite Titanomachy/Gigantomachy, followed by a set of maxims which the poet further illustrates with other mythical exempla. This paper contends that the relationship among these various parts comes into clearest focus in the five-line description of the god Apollo that closes the Gigantomachy. This passage lies at the heart of the entire poem's major interpretive issuespoetics, panegyric, allusion, and structure but its pivotal role in the ode deserves fuller acknowledgement.