Abstract

Open peer commentary on the article ““Black Box” Theatre: Second-Order Cybernetics and Naturalism in Rehearsal and Performance” by Tom Scholte. Upshot: Scholte’s attempt to link theatre studies with cybernetics faces at least two problems: historically, there could not have been any direct influence between these two fields; and conceptually, do we need second-order cybernetics, and the concept of the black box in particular, to account for the Stanislavski system?