Many Renaissances, Many Modernities?: Jack Goody, Renaissances:The One or the Many? ; The Eurasian Miracle [Book Review]

Theory, Culture and Society 28 (3):149-160 (2011)
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Abstract

This article discusses Eurocentric history, its focus on the Renaissance and modernity, which continues also in recent global history perspectives. Goody’s argument regarding renaissances in the plural situates Europe in the wider field of Eurasia and deeper in time, going back to the Bronze Age, characterized by plough agriculture, the use of animal traction and urban cultures. Goody’s perspective includes viewing renascences as accelerations and leaps in the circulation of information. Since it is always the trope of the modern that marks Eurocentric claims, unpacking modernity is central to scrutinizing this construction. Goody shows that Europe is a late-comer rather than a forerunner to major strands of modernity. A wider question this account poses is: if Renaissance in the singular produces modernity in the singular, do renaissances in the plural produce modernities in the plural?

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Citations of this work

Uses and misuses of a chinese renaissance.Mark Gamsa - 2013 - Modern Intellectual History 10 (3):635-654.

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References found in this work

Entangled Modernities.Göran Therborn - 2003 - European Journal of Social Theory 6 (3):293-305.
Jack Goody and the Comparative History of Renaissances.Peter Burke - 2009 - Theory, Culture and Society 26 (7-8):16-31.
Putting Modernity in its Place.Kenneth Pomeranz - 2009 - Theory, Culture and Society 26 (7-8):32-51.
Supremacy or Alternation?Jack Goody - 2009 - Theory, Culture and Society 26 (7-8):148-155.

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