The purpose of this article is to critically address a widespread assumption that reads like this: Works of art that make use of digital media automatically, through interactivity, are generally better suited for generating democratic processes in society than other art forms or phenomena that do not make use of digital media, and, therefore, digital art is more avant-garde than other art forms. By analysing the chains of equivalence underlying this assumption the article presents and discusses a number of issues that, taken together, render this assumption fallacious.
Keywords Digital art, avantgarde, politics
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DOI 10.7146/nja.v23i43.7495
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The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
The artworld.Arthur Danto - 2012 - Problemos 82:184-193.
Theory of the Avant-Garde.Peter Burger - 1984 - Univ of Minnesota Press.

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