Fatalism in American film noir: some cinematic philosophy

Charlottesville: University of Virginia Press (2012)
  Copy   BIBTEX

Abstract

Introduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks.

Categories

Keywords

Reprint years

Call number

PN1995.9.F54.P58 2012

ISBN(s)

9780813931890   0813934028   9780813934020
View all bargains

Buy this book

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,296

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

[Review of the book Fatalism in American Film Noir: Some Cinematic Philosophy by Robert B. Pippin]. [REVIEW]Aeon Skoble - unknown
Robert B. Pippin , Fatalism in American Film Noir: Some Cinematic Philosophy . Reviewed by.Keith Dromm - 2012 - Philosophy in Review 32 (6):511-513.
Critical theory and film: rethinking ideology in cinema.Fabio Vighi - 2012 - New York: Continuum.
The dark interval: film noir, iconography, and affect.Padraic Killeen - 2022 - New York: Bloomsbury Academic.
Agency and Fate in Orson Welles's The Lady from Shanghai.Robert B. Pippin - 2011 - Critical Inquiry 37 (2):214-244.
The Femme Fatale in American Film Noir.Carmen Birkle - 2016 - In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. Boston: De Gruyter. pp. 145-164.
Robert Pippin’s Cinematic Philosophy in Light of Richard Rorty’s Neopragmatism.Krzysztof Piotr Skowroński - 2016 - In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. Boston: De Gruyter. pp. 75-92.
Reluctant sleuths, true detectives.Jason Jacobs - 2023 - Albany: State University of New York Press.
Photographing Mindedness: Cinematic Technique and Philosophy in the Films of the Dardenne Brothers.Robert B. Pippin - 2016 - In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. Boston: De Gruyter. pp. 17-42.
Film Noir: Fatalismus „im Zeichen des Bösen“.Arno Böhler - 2016 - In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. Boston: De Gruyter. pp. 185-202.

Analytics

Added to PP
2011-05-22

Downloads
6 (#1,485,580)

6 months
50 (#92,477)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Citations of this work

Merleau-Ponty and Carroll on the Power of Movies.B. Scot Rousse - 2016 - International Journal of Philosophical Studies 24 (1):45-73.

Add more citations

References found in this work

No references found.

Add more references