Abstract

In lieu of an abstract, here is a brief excerpt of the content:Gendered Geographies across Time IBeatriz Hermida Ramos and Miguel Sebastián-MartínEarly Researchers' Seminar for Science and Speculative Fiction, University of Salamanca, Spain, 03 06 2023The first Early Researchers' Seminar for Science and Speculative Fiction: Gendered Geographies across Time showcased the many and diverse approaches to speculative fiction (SF) currently being pursued within the University of Salamanca's English Department, which in a matter of years has become an unexpected hotbed of aspiring SF scholars. A graduate student–led initiative organized by Paula Barba Guerrero (University of Salamanca), the seminar comprised six sessions that took place in spring 2023. The series opened with a keynote by Miriam Borham Puyal (University of Salamanca), followed by five more panels throughout the semester. Open to the public and organized in a hybrid format, the event positioned itself as a welcoming, non-commodified space for the exchange of ideas. To that end, the shared philosophy of the speakers was usually to deliver accessible talks, written not exclusively for established researchers and early career researchers (ECRs), but also catering to graduate and undergraduate populations. Questions ranged, therefore, from the most specialized to the most general—though questions such as "What is SF?" or "What is Utopia?" that might sound "basic" are not taken as such, and these led to the most intensive conversations among the diverse audience. [End Page 299]In the keynote lecture, titled "From Shelley to Braidotti: Posthuman Maternity in Netflix's I Am Mother," Borham Puyal traced a feminist genealogy of the streaming platform's latest speculative thriller by connecting it to Mary Shelley's Frankenstein (1818). Puyal's talk occurred on International Women's Day and, in keeping with the overall seminar subtitle, "Gendered Geographies across Time," the speaker explored such topics as gendered corporealities, vulnerable bodies, and reproductive justice in a technological world. Through the lens of Rosi Braidotti's notion of posthumanism, Puyal investigated I Am Mother's (2019) alternative modes of maternity, belonging, and relationality; the speaker also reflected on the potential of speculative fiction and media to question and to imagine alternatives futures in response to our less-than-perfect present. Puyal's talk sparked a vibrant debate regarding precarity, surrogacy, and the fight for legal control over women and trans* people's bodies. Established professors, ECRs and undergraduate students alike debated the meanings of feminist speculation and posthumanism, particularly the nature of posthuman bodies. The audience responded enthusiastically to the nonhierarchical format of the discussion, which established the seminar—with five events yet to come—as a venue welcoming to everyone, regardless of their academic status or their familiarity with science and speculative fiction.The themes of posthuman perspectives and corporealities reappeared in "Beyond the Human: Posthuman and Ecocritical Perspectives," a panel taking place the following week. Lidia María Cuadrado Payeras (University of Salamanca), and Ana Tejero Marín (University of Salamanca) discussed a set of North American speculative novels that bring together the environmental humanities and posthumanist philosophy, transitioning from the topics of the opening keynote into those of the first thematic cluster. Cuadrado Payeras opened with a methodological discussion on genre and form, drawing from the works of both Braidotti and Margaret Atwood to argue for a queer approach to science fiction, fantasy, and speculative fiction, positioning these categories as porous rather than rigid and separate. Then, Cuadrado Payeras turned to contemporary Canadian authors to explore the nature/technology dyad and its relation to posthumanism. Moving the conversation toward the environmental humanities and the role of capitalism in the current climate crisis, Tejero Marín's talk addressed themes of worldbuilding, ecofeminism, and the Anthropocene in US-American science fiction. Afterward, she analyzed gendered conceptions of the earth and the nonhuman in N. K. Jemisin's Broken Earth trilogy (2015–17), focusing on how the vengeful [End Page 300] Father Earth of Jemisin's work subverts traditional associations between femininity and nature. The first panel ended with a lively discussion, during which both speakers had the opportunity to discuss the necessity of understanding the environmental humanities and posthumanism in dialogue with one another, and the necessity of emphasizing the potential of contemporary stories to help us rethink our relationship...