Abstract

This paper examines the sophistic practice of antilogikê or antilogic, which consists in, as G. B. Kerferd described, “causing the same thing to be seen by the same people now as possessing one predicate and now as possessing the opposite or contradictory predicate.” Although, since Plato, antilogic has been cast in a cloud of suspicion, understood primarily as the dubious practice of making the weaker argument stronger, I explore a contrary interpretation that antilogic was a technique for pursuing the suspension of judgment, or epochê. In this paper, I define the practice of antilogic through the tale of Corax and Tisias and the surviving fragments of Protagoras and Gorgias. In so doing, I hypothesize that antilogic was a method for averting the natural tendency of language to assign stability and durability to being. Through the perpetual displacement of one logos by another, antilogic grants thought access to the ceaseless flux and becoming of nature. As it barred language from assigning stability to being, so too did it provide a “way out” of the inexorable human drive captured in the opening line of Aristotle’s Metaphysics: “All humans naturally desire to know.”