Modern Art and Scientific Thought by John Adkins Richardson [Book Review]

Isis 65:406-406 (1974)
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10.1086/351319

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Estrangement as a motif in modern painting.John Adkins Richardson - 1982 - British Journal of Aesthetics 22 (3):195-210.
On the "multiple viewpoint" theory of early modern art.John Adkins Richardson - 1995 - Journal of Aesthetics and Art Criticism 53 (2):129-137.
D. H. Lawrence on cézanne: A study in the psychology of critical intuition.John Adkins Richardson & John I. Ades - 1970 - Journal of Aesthetics and Art Criticism 28 (4):441-453.
A rejoinder to Nan Stalnaker.John Adkins Richardson - 1996 - Journal of Aesthetics and Art Criticism 54 (3):291-293.
Modernism and Its Arriere-Garde.John Adkins Richardson - 1986 - The Journal of Aesthetic Education 20 (4):117.
The rembrandt book (review).John Adkins Richardson - 2008 - Journal of Aesthetic Education 42 (2):pp. 115-117.
The Visual Arts and Cultural Literacy.John Adkins Richardson - 1990 - The Journal of Aesthetic Education 24 (1):57.
Dada, camp, and the mode called pop.John Adkins Richardson - 1966 - Journal of Aesthetics and Art Criticism 24 (4):549-558.
One String for Each Bow: Specialization in the Arts and Humanities.John Adkins Richardson - 2002 - The Journal of Aesthetic Education 36 (2):113.
Art Watch: The American Grain, Crosscut.John Adkins Richardson - 1987 - The Journal of Aesthetic Education 21 (4):145.
The Rembrandt Book (review).Emeritus John Adkins Richardson - 2008 - Journal of Aesthetic Education 42 (2):115-117.
Illustration and art. Thematic content and aesthetic standards.John Adkins Richardson - 1971 - British Journal of Aesthetics 11 (4):354-368.
Dethroning the Dead: Colorless Canons, Darkening Doubts.John Adkins Richardson - 1994 - The Journal of Aesthetic Education 28 (4):15.

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