Abstract

In this essay, the author follows the dramaturgical-anthropological analysis established by G. E. Lessing in his Hamburgische Dramaturgie. The careful observation and analysis of the performance onstage combined with the cultural context can provide an important moment of critical analysis. By examining the 2001 production of Death of a Salesman on the German stage, new insights into the play and its distillation of the American Dream can be explored.