Abstract

This paper intends to reveal the essential value of interactive media by fully understanding the complex interactive mechanism of human experience. Following Cartesian dualistic thought, interactive technology has primarily been utilized as a physical control device. It hasn’t sufficiently explored its gigantic potential as a true interactive medium. Interactive technology reflects our desire to interact with someone or something. Historically, human desire for interaction has been continuously manifested from the day of primitive ritual to contemporary cyberspace. Our interactive routines have continued, from micro to macro scale, in order to confirm our existence in every day life. This universal repetitive pattern of human activity is ‘the ritual’. It is ritual because it is the archetypes of cycles driven by human instinct, regardless of their cultural and historical period. In this paper, I am defining ‘the form of ritual’, to explain the fundamental human process of interaction and becoming, and furthermore, to find the imperative potential of interactive media. The form of ritual will be explained in detail, with agent, driving force, process and by-product, taking reference from Korean shaman ritual, Yin/Yang process and Alfred North Whitehead’s process philosophy. My virtual puppetry with spiralling interaction, ‘Yong-Shin-Gud’ (calling-dragon-spirit), will be introduced as an art example to carry out the ritual. Interactive technology is an ongoing expression of human desire. Its essential value would be found in understanding human beings, nature and cosmos. Revealing its hidden essence, historical presence and spiritual value will be the next paradigm of interactive art practice.