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Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema
Film-Philosophy 27 (3):583-586 (2023)
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Visualizing thought at work. Review of Alyssa DeBlasio: The Filmmaker's philosopher - Merab Mamardashvili and Russian cinema: Edinburgh University Press, Edinburgh, 2019, 203 p, $75, Hardcover: ISBN 978-1-4744-4448-4.Elisa Pontini - 2020 - Studies in East European Thought 72 (2):191-194.
How I Understand Philosophy: A Conversation with Merab Mamardashvili.O. Dolzhenko - 2010 - Russian Studies in Philosophy 49 (1):7-19.
Alyssa DeBlasio, The End of Russian Philosophy: Tradition and Transition at the Turn of the 21st Century, Palgrave Macmillan, 2014. [REVIEW]Frederic Tremblay - 2015 - Slavonic and East European Review 94 (4):745-749.
The Understanding of the Human Being by the Georgian Philosopher Merab Mamardashvili.Janis Skesteris - 2018 - Proceedings of the XXIII World Congress of Philosophy 28:151-155.
The Relationship Between Dialectics and Phenomenology in the Work of E.V. Ilyenkov and M.K. Mamardashvili.Iu V. Pushchaev - 2010 - Russian Studies in Philosophy 49 (2):77-99.
An outline of the natural-historical epistemology of Merab Mamardashvili and the possibility of its phenomenological interpretation.Tatiana V. Litvin - 2019 - Studies in East European Thought 71 (3):293-303.
Mamardashvili on film: cinema as a metaphor for consciousness.Alyssa DeBlasio - 2019 - Studies in East European Thought 71 (3):217-227.
Kate Ince (2017) The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema.Laura Staab - 2021 - Film-Philosophy 25 (1):62-65.
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