Abstract

Friedrich Nietzsche’s The Birth of Tragedy1 is by many measures both his most accessible and his most difficult work. As Michael Tanner notes, [W]hat marks off [The Birth of Tragedy] as sharply different from everything he wrote afterwards is its initially conventional mode of presentation, that of academic essay. He had no notions at this stage of writing a disruptive work from within the establishment—as so often in his dealings with his contemporaries, he showed himself to be strikingly naïve about what the impact of his work would be.2 Yet beneath that façade of straight-forward academic essay resides a complex work requiring an in-depth understanding of philosophy, cultural...