Abstract

The War on Terror is reconfiguring the practices that constitute whiteness through its definition of the West as endangered by the hatred and violence of its Islamist Other. Critical race and feminist theorists have long defined `whiteness' as a form of subjectivity that is socially constructed, historically contextual, and inherently unstable. The equation of whiteness as a social identity with the socio-political category of the West has been seen as particularly problematic for its implication in colonial and imperialist projects. These theorists have also noted that the economic and political power of the West has enabled white subjects to exalt themselves even as they have sought to define the nature of the Other. This paper examines how three feminist texts engage with the hegemonic discourse of the War on Terror and its (re)constitution of whiteness.