Abstract

This article explores how Mortimer J. Adler's philosophy of history, as it developed from the 1930s through the 1950s, affected the construction of Encyclopedia Britannica's Great Books of the Western World and the same set's Syntopicon. A thorough examination of Adler's influences (e.g. Arthur O. Lovejoy, Jacques Maritain, and Columbia University faculty) demonstrates that his philosophy of history derived from a coincidental confluence of developments in the fields of literature, history, and philosophy. Adler's processing of these trends reveals both irony and paradox, and also explains some philosophical objections articulated by later foes of the great books idea.