Bunyan's Cage and Weber's Casing

Sociological Inquiry 52 (1):84-87 (1982)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

DOI

10.1111/j.1475-682x.1982.tb01240.x

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,672

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The "iron cage" and the "shell as hard as steel": Parsons, Weber, and the stahlhartes gehäuse metaphor in the protestant ethic and the spirit of capitalism.Peter Baehr - 2001 - History and Theory 40 (2):153–169.
Review. [REVIEW]Lelan Mclemore - 1991 - History and Theory 30:79-89.
Fleeing the Iron Cage: Culture, Politics, and Modernity in the Thought of Max Weber.Lawrence A. Scaff - 1989 - Univ of California Press.
Bunyan books: a further note on the fictitious Bunyan books.J. Rendel Harris - 1929 - Bulletin of the John Rylands Library 13 (1):123-127.
Archetypes of Conversion: The Autobiographies of Augustine, Bunyan, and Merton.Anne Hunsaker Hawkins - 1985
Weber's Influence in Weimar Germany.Regis A. Factor & Stephen Turner - 1982 - Journal of the History of the Behavioral Sciences 18 (2):147-156.
John Cage: An Anthology.John Cage - 1991 - Da Capo Press.
Musicage: Cage Muses on Words, Art, Music.John Cage - 1999 - Journal of Aesthetics and Art Criticism 57 (1):93-94.
MUSICAGE: Cage Muses on Words * Art * Music.Allen S. Weiss - 1998 - Substance 27 (1):133.
Introduction to "The Cambridge Companion to Weber".Stephen Turner - 2000 - In The Cambridge Companion to Weber. Cambridge University Press. pp. 1-18.
Hume, Newton and ‘the Hill called Difficulty’.Christine Battersby - 1978 - Royal Institute of Philosophy Lectures 12:31-55.
W poszukiwaniu granic muzyki: przypadek Cage\'a [J. Luty, John Cage. Filozofia muzycznego przypadku].Renata Chunderbalsingh - 2011 - Studia Philosophica Wratislaviensia.
The Security of the Obvious: On John Cage's Musical Radicalism.Daniel A. Herwitz - 1988 - Critical Inquiry 14 (4):784-804.
Les intermittences de la raison: penser Cage, entendre Heidegger.Marc Froment Meurice - 1982 - Klincksieck.
John Cage: Composed in America.Marjorie Perloff & Charles Junkerman - 1996 - Journal of Aesthetics and Art Criticism 54 (2):193-195.

Analytics

Added to PP
2019-07-14

Downloads
8 (#1,312,052)

6 months
3 (#961,692)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Stephen Turner
University of South Florida

Citations of this work

Add more citations

References found in this work

No references found.

Add more references