Abstract

A study of fifteen Middle Byzantine reliefs — ten of them unpublished — from the ruined church of Saint-Donat at Glyki makes it easier to understand material at present in the Byzantine Museum at Ioannina. It tells us first of all about the working conditions of the sculptors in a peripheral region of the Byantine Empire. Faced with the lack of marble quarries, these sculptors were obliged to find a solution to the problem. An examination of this material led us to distinguish two groups of reliefs. The first is characterised by a decoration subject to two sorts of influence: on the one hand they show a decoration very similar to that used in the reliefs in Macedonia, and on the other, reminders of Early Christian formal and decorative art. We can thus identify the different sources of inspiration of the sculptors and better understand their manner of organisation.