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  1. A Method of Mobility: Dialectical Critique and the Work of Concepts.Rodrigo Cordero - 2020 - Critical Horizons 21 (1):1-16.
    ABSTRACTThis article discusses dialectics as a method of critique which takes concepts it primal object of inquiry. Through a reading of Theodor W. Adorno’s lecture course Introduction to Dialectics, it argues that for dialectical critique concepts are living organs of social reality whose work must observed in terms of constellations of experiences and practices, and through specific historical sites and social processes. The article reconstructs three moments in Adorno’s thinking of critique’s relation to conceptuality: the “pedagogical effect” of concepts on (...)
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  • A missed connection: Löwith and Adorno on progress.Victor Weisbrod - 2021 - Thesis Eleven 165 (1):20-36.
    Despite appearing side by side as keynote speakers at a congress in 1962 devoted to the question of progress, Löwith’s and Adorno’s accounts of progress have never been linked. This paper is an attempt to establish this missed connection, to reveal important connections, striking similarities, and a fundamental difference between these two eminent thinkers’ work on progress. For one, Löwith diagnoses the three main problems that Adorno attempts to solve with his dialectical account of progress. Moreover, each is sympathetic towards (...)
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  • History, critique, experience: On the dialectical relationship between art and philosophy in Adorno’s aesthetic theory.Justin Neville Kaushall - forthcoming - Philosophy and Social Criticism.
    In Aesthetic Theory, Adorno argues that, in modernity, art and philosophy are reciprocally dependent upon each other for legitimation and critical force. This claim has puzzled scholars and provoked controversy. I argue that Adorno’s thesis may be comprehended in the following manner: art requires philosophy because, without the latter, art would lack the power to critique social and historical reality (in particular, the ideological elements that often remain invisible as second nature), and to rationally interpret the material particularity expressed by (...)
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