Though perhaps a dubious honor, Dharmakīrti is the first philosopher in any tradition to explicitly recognize the epistemological threat of solipsism, devoting an entire essay to the problem—The Justification of Other Minds. This essay revisits Ratnakīrti’s Doing Away with Other Beings as a diagnosis of Dharmakīrti’s attempt to reconstruct the very idea of other beings, with particular attention to Ratnakīrti’s sensitivity to the conceptual preconditions for a genuine threat of solipsism. Along with the diagnosis of the conditions for the emergence (...) of a problem of genuine solipsism, this essay takes as its focus Ratnakīrti’s criticism of attempts to meet with the problem. In particular, I shall stress an insight Ratnakīrti adduces in the course of his diagnosis. Attempts to meet the problem of solipsism head on, Ratnakīrti shows us, obscure what the preconditions for a genuine problem reveal: the fact of our possessing two incommensurable conceptions of mind, one of which is intrinsically and entirely first-personal—in a sense to be clarified in the course of this essay—and the other not. I conclude this essay with an inconclusive sketch of the difficulties that remain when considering what Ratnakīrti would have us conclude from his own diagnosis. (shrink)

In his writings Philosophical Remarks, the Austrian-British Philosopher Ludwig Wittgenstein draws an octahedron with the words of pure colours such as “white”, “red” and “blue” at the corners and argues: “The colour octahedron is grammar, since it says that you can speak of a reddish blue but not of a reddish green, etc”. He uses the word “grammar” in such a specific way that the grammar or grammatical rules describe the meanings of words/expressions, in other words, how we use them (...) in our language. Accordingly, the colour octahedron can also be taken to represent grammatical rules about how we apply words of colour, e.g., that we can call a certain colour “reddish-blue”, but not “reddish-green”. In a different context, the Japanese philosopher Shūzō Kuki explores in his work The Structure of Iki what the Japanese word “iki” means. This word is often translated as “chic” or “stylistic” in English, but Kuki holds that it is an aesthetic Japanese concept that cannot be translated one-to-one, instead encompassing three aspects: “coquetry”, “pride and honour” and “resignation”. To explain the meanings of the word “iki” and other related words all of which Kuki calls “tastes”, he introduces a rectangular prism as a geometrical representation similar to Wittgenstein’s colour octahedron. In this paper, I argue that the rectangular prism does not solely explain how the modes of Japanese tastes are related to each other, but also has a grammatical character. On this score, I suggest that one can regard this rectangular prism as a description of the grammatical rules of the Japanese language. By appeal to the arguments of both philosophers and in comparison with them, I will not only clarify what they claim by geometrical representations but also examine what role this kind of representation plays as an explanation of grammar in general. Keywords: grammar, colour octahedron, rectangular prism, Shūzō Kuki, Wittgenstein. (shrink)

Wittgenstein’s comparison of philosophical methods to therapies has been interpreted in highly different ways. I identify the illness, the patient, the therapist and the ideal of health in Wittgenstein’s philosophical methods and answer four closely related questions concerning them that have often been wrongly answered by commentators. The results of this paper are, first, some answers to crucial questions: philosophers are not literally ill, patients of philosophical therapies are not always philosophers, not all philosophers qualify as therapists, the therapies are (...) not necessarily to be thought of as psychological therapies and the ideal of health does not consist in the end of philosophy. Second, the paper shows that the comparison has had a misleading effect, because properties of therapies have been illegitimately projected onto the philosophical methods advanced by Wittgenstein. (shrink)

This paper discusses Gordon Baker’s interpretation of the later Wittgenstein, in particular his interpretation of the notion of Wittgensteinian philosophical conceptions and the notions of non-exclusivity, local incompatibility, non-additivity and global pluralism which Baker uses to characterize Wittgensteinian conceptions. On the basis of this discussion, and a critique of certain features of Baker’s interpretation of Wittgensteinian conceptions, I introduce the notion of a multidimensional logical description of language use, explaining how this notion, which Baker’s interpretation excludes, constitutes and important element (...) of the later Wittgenstein’s philosophical method of clarification and perspicuous representation. I conclude by explaining how Baker’s problematic notions of local incompatibility and non-additivity, if they are seen in the light of Wittgenstein’s criticisms of certain views of the completeness of philosophical or logical accounts, nevertheless point in the right direction. (shrink)

The task of this paper is to exhibit Wittgenstein’s method of perspicuous presentation as aiming at a distinctive kind of self-knowledge. Three influential readings of Wittgenstein’s concept of perspicuous presentation – Hacker’s, Baker’s and Sluga’s – are examined. All of them present what Wittgenstein calls the “unsurveyablity of our grammar” as a result of the “complexity” of our language. Contrary to this, a fundamental difference between matter-of-factual complexity and the unsurveyability of grammar is pointed out. What perspicuous presentations are designed (...) to deal with, isn’t, accordingly, occasioned by the complexity of our language but by an unnoticed assimilation of our own activities as speaking beings to matter-of-factual affairs. In response to this, perspicuous presentations help us to fully appropriate our activities as speakers in virtue of achieving a transparent understanding of the use of “our words”. It thus provides us with a distinctive kind of grammatical self-knowledge. (shrink)

This work is an investigation into philosophical method and rational argument in moral philosophy. It makes an original contribution to human understanding, by taking some of the tools and techniques that Gordon Baker identifies in the later work of Wittgenstein, and using them as a way of fending for oneself in an area of philosophy that neither Baker, nor Wittgenstein, wrote on. More specifically, a discussion of some different aspects of the contemporary literature on Dancy’s moral particularism is used as (...) a vehicle for illustrating how Baker’s therapeutic conception of philosophy offers alternative possibilities for how we can do philosophy, and what counts as rational argument in moral philosophy. I maintain that, by considering some indicative ways in which Baker’s therapeutic approach to philosophy can dissolve, rather than solve, the kinds of perplexities found in the existing literature on Dancy’s moral particularism, we can liberate ourselves from the traditional/theoretical view of how we ought to do philosophy, and an understanding of rational argument in moral philosophy, to which we need not be committed. (shrink)

This thesis undertakes a systematic, tripartite analysis of the interactions between the fiction and essays of Thomas Pynchon and the philosophy of Ludwig Wittgenstein, Michel Foucault and Theodor W. Adorno, resulting in a solid set of original reference-material for those undertaking work on Pynchon and philosophy, or more generally on philosophico-literary intersections. Premised upon the notion that Pynchon's literature harbours a fundamental hostility to much systematizing philosophical thought, this work avoids a dominating imposition of philosophy, or an application of philosophical (...) thought as a validating Other, by examining those aspects of Pynchon's work that seem ill at ease with, or aggressive towards, aspects of each philosopher's thought. This is explored through the concept of an intra-textual polyvocality and relational situation of philosophical intersection; when Wittgenstein is cited, for instance, who is speaking and what are the connotations of that placement? I do not propose, therefore, a Wittgensteinian / Foucauldian / Adornian Pynchon, but rather explicitly highlight excluded aspects of thought to instead develop a complementary reading; a form of intersubjective triangulation. This polyvocality is examined from a univocal perspective. The specific conclusions of this work re-situate Pynchon, in many cases against forty years of critical consensus, as a quasi-materialist or at least anti-idealist, a regulative utopist and a practitioner of an anti-synthetic style akin to Adorno's model of negative dialectics. In a broader sense, it answers the questions regarding hostility towards philosophical thought in Pynchon's work by demonstrating that no single philosophical standpoint has yet to totally resonate with even one of his novels. Simultaneously, it also shows that a profitable approach can be found in the spaces of philosophical overlap and divergence. (shrink)