Abstract

In this article, I present a five-part critique of the main aspects of the second edition of Music Matters by David Elliott and Marissa Silverman. This edition further develops their praxial philosophy, comprising topics on the nature and value of music education from a normative perspective, which in turn is developed to suit all musical education contexts. My analysis is organized in five main arguments concerning, first, an absence of historicity; second, the adoption of universalist premises; third, the inconsistency between the concepts of personhood and musical value; fourth, the adoption of a normative philosophy; and fifth, the relation between synthesis and content in the chapters. I argue that the book is constructed from a universalistic perspective and that its premises have epistemological inconsistencies. I offer a critical analysis of this extensive work for the purpose of engaging in a dialogue about themes which are relevant to the further development of philosophical thought in music education.