Abstract

Marx’s concept of bird-freedom or Vogelfreiheit— drawn from German legal history in which it meant “outlaw status” — describes the situation of free labor as “doubly free”: not enslaved as well as landless. The metaphorical valences of his satirical emphasis on the cynicism of the idea of “free labor” returns in many of Marx’s other satirical reworkings of concepts which refer to the state of nature. This essay looks at two such concepts engaged in explaining the process of “primitive accumulation” in Capital, Volume 1: the notion of the idyll (“idyllic relations” or “idyllic proceedings”) and the notion of outlawry as “bird-freedom.” The essay exemplifies the ways in which both moments constitute “natural-historical images,” in Theodor Adorno’s terms: a concept of hybridity, historical texture, and transition that might add to the scholarship on Marx’s philosophy of nature.