Rehearsal and Hamilton's “ingredients model” of theatrical performance
Journal of Aesthetic Education 43 (3):pp. 23-36 (2009)
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David Osipovich (2004). What Rousseau Teaches Us About Live Theatrical Performance. Journal of Aesthetics and Art Criticism 62 (4):355–362.
David Z. Saltz (2001). What Theatrical Performance is (Not): The Interpretation Fallacy. Journal of Aesthetics and Art Criticism 59 (3):299–306.
Noël Carroll (2009). Basic Theatrical Understanding: Considerations for James Hamilton. Journal of Aesthetic Education 43 (3):pp. 15-22.
David Osipovich (2006). What is a Theatrical Performance? Journal of Aesthetics and Art Criticism 64 (4):461–470.
James R. Hamilton (2000). Theatrical Enactment. Journal of Aesthetics and Art Criticism 58 (1):23-35.
Kevin Kennedy (2011). Perspectives, Pluralism, Showing and Saying. Topoi 30 (2):103-111.
James Hamilton (2009). The Text-Performance Relation in Theater. Philosophy Compass 4 (4):614-629.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
David Krasner & David Z. Saltz (eds.) (2006). Staging Philosophy: Intersections of Theater, Performance, and Philosophy. University of Michigan Press.
James R. Hamilton (2001). Theatrical Performance and Interpretation. Journal of Aesthetics and Art Criticism 59 (3):307–312.
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