The Book as Assemblage with the Outside"- The Rhizomatic Book as a Radical Case of "Open Work

Journal of the British Society for Phenomenology 46 (1):16-32 (2015)
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Abstract

In the present paper, I shall argue that the book which Deleuze terms rhizomatic is a type of “open work”, namely a work that comprises its recipient's intervention as an encoder. It is distinguished, however, from Eco's and Ingarden's poetics – as well as from Gadamer's hermeneutics – in that the recipient actually inscribes. He inscribes in the sense that the book is “hybrid”, consisting of both semiotic text and the actual body and actions of an empirical – rather then an implied – reader. I will introduce an example of a hybrid work in the form of Jewish scripture. Developing the book's unique mise en abyme and the interrelated trait of “transcoding” which Deleuze ascribes to it, I shall finally argue that rather than a “heterocosm”, the diegetic level of the hybrid work is empirical reality itself, although at a level which Deleuze terms “diagrammatical”.

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Iddo Dickmann
Bar-Ilan University, Ramat Gan

Citations of this work

Using Mise en abyme to Differentiate Deleuze and Derrida.Iddo Dickmann - 2017 - Journal of the British Society for Phenomenology 48 (1):63-80.

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References found in this work

The Truth in Painting.John C. Gilmour - 1988 - Journal of Aesthetics and Art Criticism 46 (4):519-521.
Heterocosmica: Fiction and Possible Worlds by Lubomír Dolezel.David Herman - 1999 - Journal of Aesthetics and Art Criticism 57 (3):377-380.
Worlds within worlds? The paradoxes of embedded fiction.Robin Le Poidevin - 1995 - British Journal of Aesthetics 35 (3):227-238.
The Cognition of the Literary Work of Art.Walter H. Clark - 1973 - Journal of Aesthetics and Art Criticism 33 (2):220-222.
Differentiating Derrida and Deleuze.Gordon C. F. Bearn - 2000 - Continental Philosophy Review 33 (4):441-465.

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