Abstract

Sheridan Hough provides a careful examination of Friedrich Nietzsche’s ample use of metaphor throughout his corpus, and concludes that the active, muscular thought associated with Nietzsche is evenly countered by receptive imagery which imbues his work with an elevated balance. The duplicity of Nietzsche’s images, fecund with layers of significance, culminates most evidently in the two most scrutinized themes in Nietzsche scholarship, the eternal return and the Ubermensch. Hough offers a unique interpretation of these tropes, proffering the concept of the Ubermensch as a unique moment of the free spirit, contrasted with a destined, elevated, or evolved ideal of man. The Ubermensch and eternal return converge in an artistic moment, replete with the perpetual process of self-overcoming and value transformation.