Is There a Feminist Aesthetic?
Hypatia 5 (2):33 - 42 (1990)
| Abstract | Literary art that is identifiably feminist approaches reality from a feminist perspective and endorses female experience. A feminist perspective demystifies patriarchal assumptions about the nature of human beings, their relation to nature, and the relation of physical and moral qualities to each other. To endorse female experience, the artist must defy or stretch traditional literary conventions, which often means offending or alienating readers. Traditional literary conventions are rooted in philosophical assumptions several thousand years old and still widely current. A third principle of feminist art-which not all feminists subscribe to-is accessibility. When feminist art is difficult, the reason usually lies not in purposeful obfuscation, but in the poverty of our language of feeling, and the difficulty of rendering feeling. | |||||||||
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Peggy Zeglin Brand (2006). Feminist Art Epistemologies: Understanding Feminist Art. Hypatia 21 (3):166-189.
Judith Grant (1993). Fundamental Feminism: Contesting the Core Concepts of Feminist Theory. Routledge.
L. Ryan Musgrave (2003). Liberal Feminism, From Law to Art: The Impact of Feminist Jurisprudence on Feminist Aesthetics. Hypatia 18 (4):214-235.
Curtis Brown (2002). Art, Oppression, and the Autonomy of Aesthetics. In Alex Neill & Aaron Ridley (eds.), Arguing about Art, Second Edition. Routledge.
Robin James (2011). "Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'". In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.
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Wendy Lynne Lee (2006). On Ecology and Aesthetic Experience: A Feminist Theory of Value and Praxis. Ethics and the Environment 11 (1):21-41.
Sue V. Rosser (1987). Feminist Scholarship in the Sciences: Where Are We Now and When Can We Expect A Theoretical Breakthrough? Hypatia 2 (3):5 - 17.
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Louise C. Johnson (2000). Placebound: Australian Feminist Geographies. Oxford University Press.
Sandra Kemp & Judith Squires (eds.) (1998). Feminisms. Oxford University Press.
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