Amidst the plurality of voices philosophy of music after Adorno
Angelaki 8 (3):167 – 180 (2003)
| Abstract | This Article does not have an abstract | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,709 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesAndrew Bowie (2007). Music, Philosophy, and Modernity. Cambridge University Press.
Keith Chapin (2006). Labor and Metaphysics in Hindemith's and Adorno's Statements on Counterpoint. In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
J. M. Bernstein (2001). Adorno: Disenchantment and Ethics. Cambridge University Press.
Alastair Williams (2006). Wolfgang Rihm and the Adorno Legacy. In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
Dana Villa (2012). From the Critique of Identity to Plurality in Politics : Reconsidering Adorno and Arendt. In Lars Rensmann & Samir Gandesha (eds.), Arendt and Adorno: Political and Philosophical Investigations. Stanford University Press.
Julian Johnson (2006). The Elliptical Geometry of Utopia : New Music Since Adorno. In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
Daniel K. L. Chua (2006). Drifting : The Dialectics of Adorno's Philosophy of New Music. In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads8 ( #123,255 of 549,694 )Recent downloads (6 months)0How can I increase my downloads? |
My notes
Discussion
