Abstract

American critical realism was defended in two versions, an “essentialist” and an “empirical.” The main proponent of the essentialist version was George Santayana, who in his Scepticism and Animal Faith (1923) outlined a critical realist account of epistemology based substantially on an articulate doctrine of essences. In the present paper, an attempt is made to critically examine the resulting approach, particularly in relation to perception. It will be argued that Santayana failed to develop a sufficiently convincing essentialist view of perception, and that his actual significance in terms of the impact of the critical realist movement was, contrary to what is often claimed, quite limited.