Art Encounters Deleuze and Guattari: Thought Beyond Representation
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Palgrave Macmillan (2006)
In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics--an aesthetics of affect--and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts--the virtual, the minor, the fold, etc.--and the work of artists that position their work outside of the gallery or "outside" of representation--Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these "possible worlds" to work back on philosophy.
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Citations of this work BETA
Simon O'Sullivan (2010). Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation. Deleuze Studies 4 (2):256-286.
John Michael Roberts (2010). Reading Orwell Through Deleuze. Deleuze Studies 4 (3):356-380.
Daniel Koczy (2012). A Crystal-Theatre: Automation and Crystalline Description in the Theatre of Samuel Beckett. Deleuze Studies 6 (4):614-627.
Jean Hillier (2012). Liquid Spaces of Engagement: Entering the Waves with Antony Gormley and Olafur Eliasson. Deleuze Studies 6 (1):132-148.
Charlotte Knox-Williams (2012). Weaving and Warping: Free Indirect Movements Between Theory and Art Practice. Deleuze Studies 6 (1):89-102.
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