The Philosopher at the End of the Universe: Philosophy Explained Through Science Fiction Films
T. Dunne Books/St. Martin's Press (2003)
| Abstract | The Philosopher at the End of the Universe demonstrates how anyone can grasp the basic concepts of philosophy while still holding a bucket of popcorn. Mark Rowlands makes philosophy utterly relevant to our everyday lives and reveals its most potent messages using nothing more than a little humor and the plotlines of some of the most spectacular, expensive, high-octane films on the planet. Learn about: The Nature of Reality from The Matrix , Good and Evil from Star Wars , Morality from Aliens , Personal Identity from Total Recall , The Mind-Body dilemma from Terminator , Free Will from Minority Report , Death and the Meaning of Life from Blade Runner , and much more. A search for knowledge about ourselves and the world around us with a star-studded cast that includes: Tom Cruise, Plato, Harrison Ford, Immanuel Kant, Arnold Schwarzenegger, Friedrich Nietzsche, Sigourney Weaver, Rene? Descartes, and Keanu Reeves. Rowlands anchors his discussions in easily understood everyday terms and relates them in a manner easy to identify with. Interspersed with a ready joke or two, he wonderfully explains why those SciFi movies we love so much are much deeper than they appear to be on the surface. Mark Rowlands's entertaining and stimulating guide is perfect for anyone searching for knowledge of the world around us. If Keanu can understand Descartes surely everyone can. | |||||||||
| Keywords | Philosophy in motion pictures Science fiction films History and criticism | |||||||||
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| Buy the book | $1.99 used $19.75 direct from Amazon Amazon page | |||||||||
| Call number | PN1995.9.P42.R68 2004 | |||||||||
| ISBN(s) | 0091903882 0312322348 0091889219 | |||||||||
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Aaron Smuts (2007). Review: Hitchcock as Philosopher by Yanal, Robert J. [REVIEW] Journal of Aesthetics and Art Criticism 65 (3):339–341.
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Jim Hillier (ed.) (1985). Cahiers Du Cinéma, the 1950s: Neo-Realism, Hollywood, New Wave. Harvard University Press.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Mark D. White (ed.) (2012). The Avengers and Philosophy: Earth's Mightiest Thinkers. John Wiley & Sons, Inc..
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