Abstract

There is some audacity in adding to the formidable list of articles on Pythian 2, which raise the questions of the structure or thematic coherence of the ode, of its specific occasion and of its relation to Pindar's biography. In this paper my aim is the circumscribed one of showing how a correct analysis of the final section of the poem can lead us to a better understanding of the nature of Pindar's poetry, and of the way in which he adapts his laudatory stance to the circumstances and status of the addressee