Complex Choreography

Theory, Culture and Society 18 (2-3):247-264 (2001)
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Abstract

Using relevant theoretical approaches, this article seeks ways in which to consider the conditions of existence of a politics of recognition through the elaboration of ‘regimes of recognition’. The ‘regimes of recognition’ are developed through an understanding of decentred political and social formations that, nevertheless, foreground a series of sites that are central to the politics of recognition: democracy, citizenship and the nation. This article takes issue with current accounts of the demise of the nation as both imaginary and territorially realized. Instead, it offers a substantive account of political activism in Ecuador as one moment in the politics of recognition.

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