Photographic Registers Are Latent Images

Journal of Aesthetics and Art Criticism 81 (3):404-407 (2023)
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Abstract

In a recent article, Dawn Wilson (2021) has argued against single-stage accounts of photography by arguing against the latent photographic images upon which those accounts depend. Concomitantly, she argues that the only viable account of photography is multi-stage. Unlike single-stage accounts, multi-stage accounts do not postulate the existence of photographic images of any kind prior to development. Rather, according to multi-stage accounts, photographs are produced from “photographic registers.” In this Discussion Piece, I defend single-stage accounts by arguing that Wilson’s rejection of latent photographic images is premised on an implausible view of what a latent photographic image is. Given a reasonable interpretation, the latent images described in single-stage accounts just are the photographic registers described in multi-stage accounts.

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Author Profiles

Mark Windsor
University of Southampton

Citations of this work

What Is a Photographic Register?Dawn M. Wilson - 2023 - Journal of Aesthetics and Art Criticism 81 (3):408-413.

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References found in this work

Photography and Representation.Roger Scruton - 1981 - Critical Inquiry 7 (3):577-603.
Photography and causation: Responding to Scruton's scepticism.Dawn M. Phillips - 2009 - British Journal of Aesthetics 49 (4):327-340.
Fiction, Nonfiction, and Deceptive Photographic Representation.Paloma Atencia-Linares - 2012 - Journal of Aesthetics and Art Criticism 70 (1):19-30.

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