Abstract

This article offers a reading of the last film by Sylvain Georges, Towards Madrid, dedicated to the movement of the Indignados. In its attempt to focus on the specificity of the documentary mode of filming, it explores three possible interpretations of the following proposition : “Sylvain Georges’s documentary films are to be understood as a cinema of the approach”, where the approach is successively described as a matter of apparatus, as a form of distancing and as a sensitive approximation.