Gilles Deleuze

The difference between Derrida and Deleuze has been debated in terms of their understandings and uses of the historical distinction between Being and beings. Daniel W. Smith intersects with the question when discussing transcendence and immanence. Clair Colebrook intersects when discussing materialism. Paul Patton intersects when distinguishing the unconditioned and conditioned. This essay moves along with their ideas, and contributes to the discussion by re-inscribing the debate in terms of nouns and verbs. The conclusion suggests that the noun/verb prism yields (...) a view of the question about Being and beings that fits most easily into Smith’s conception of the relation between Derrida and Deleuze. Thematically, the essay is framed by a line from Derrida’s eulogy for Deleuze, and by a question. The line is Derrida recollecting Deleuze commenting that, "It’s painful for me to see you spending so much time on the College International de Philosophie. I would rather you wrote..." The question addressed to the prolific Derrida and Deleuze is: “How much writing is enough?” Why do individuals with limited time who have already written numerous and thick volumes of philosophy choose to go ahead and write more? (shrink)

Decadence in philosophy is defined in the relation between thinking and truth, and explored as a conflict between Richard Rorty and Gilles Deleuze.

A brief survey of Deleuze’s writings on ancient atomism and on the concept of the atom in general. Deleuze’s treatment of atomism is significant because it makes clear Deleuze’s aim in shifting the mereological vocabulary from points to lines; it shows what, in Deleuze’s sense, it means to unground. In other words, it sets down the conditions for a successful Deleuzian critique of essentialist metaphysics of structure.

This essay describes and evaluates the conception of mereological structure that underpins Deleuze’s account of ontogenesis in Difference and Repetition. A theory of mereology is a theory of composition: it asks what it is to be a part making a whole, what it is to be a whole collecting its parts; in short, in what the relation of making or composing consists. The locus classicus for modern mereology is the third of Husserl’s Logical Investigations (‘On the Theory of Wholes and (...) Parts’), which deduces the definitions, axioms and principles governing the relation of parthood and associated notions, such as wholeness, separation, simplicity and complexity. My question is this: what happens to these notions when they are no longer the terms of a ‘calculus of individuals’ and, instead, become the terms of a differential calculus of individuation? (shrink)

The paper is motivated by the desire to identify exactly what Leibniz has contributed to Deleuze and Whitehead’s particular version of vitalism. This reading of Leibniz is compared with those of Badiou. The paper compares each of these philosopher’s interpretations of the fundamental principles that ground Leibnizian monadology, with the intention of highlighting the implications of these readings for political theory. In particular, Badiou’s notion of a schema of torsion is examined and distinguished from Deleuze’s notions of actualization and realization.

This research paper investigates habit and temporality in G.W.F. Hegel’s philosophy, in response to recent Deleuzian criticisms that Hegel has misunderstood empiricism by simplifying the nature of sensations. The paper begins with an exegesis of Deleuze’s critique of Hegel’s view of empiricism namely that Hegel neglects the importance of non-conceptual difference for understanding the nature of sense-experience. It then shows that Deleuze’s own empiricism remains incomplete without positing habit as a principle of relations, and, in turn, that habit on Hegel’s (...) account mediates difference at the organic level. This means that habit shows how something prior to the establishment of consciousness is operative in experience, and, for the purpose of this paper, this aspect of habit helps to explain how it is possible that consciousness can experience time. More broadly, I contend that this pre-conscious operation of habit is key to understanding Hegel’s views on sense-experience and empiricism, which subverts the idea that Hegel has “reduced” sensations to their conceptual articulation. (shrink)

Cette communication explorera la nature deleuzienne de l'ontologie présupposée par Foucault dans ses cours Sécurité, Territoire, Population et Naissance de la Biopolitique. L'objectif sera d'identifier certaines formules de Foucault qui font écho à un concept clé de Différence et Répétition: l'individuation comme intégration d'une multiplicité. Dans ces textes se trouveront pas mal d'éléments de l'ontologie deleuzienne: par exemple, le couple différentiation / différenciation; l'anti-essentialisme; et le champ différentiel, pré-individuel, problématique, ou virtuel d'où émergent, par l'auto-organisation, des individus actuels. Mais, on (...) verra aussi des difficultés conceptuelles, surtout dans sa notion de "possibilité," que subit Foucault dans quelques-unes de ses réflexions méthodologiques, difficultés qui émergent pour lui en faisant ses propres analyses de "la mise en intelligibilité en histoire" pendant qu'il présuppose l'ontologie deleuzienne. (shrink)

In this paper, I discuss Eugene Gendlin’s contribution to radically temporal discourse , situating it in relation to Husserl and Heidegger’s analyses of time, and contrasting it with a range of interlinked approaches in philosophy and psychology that draw inspiration from, but fall short in their interpretation of the phenomenological work of Husserl and Heidegger. Gendlin reveals the shortcomings of these approaches with regard to the understanding of the relation between affect, motivation and intention, intersubjectivity, attention , reflective and pre-reflective (...) self-consciousness, the basis of mathematical naturalism and sensori-motor models of behavior. Gendlin traces the weaknesses of these approaches in the above areas to the way these perspectives construe time. (shrink)

This article aims to elucidate the Chinese literatus Su Shi's painting theory using French philosopher Gilles Deleuze's concepts of “capturing forces” and “becoming.” In the relevant scholarship, Su Shi's esthetic thought has been illustrated as going beyond the truthful representation of forms, thereby capturing the underlying vitality of the targeted objects, which paved the way for what came to be known as “literati painting.” This artistic approach has been thought to express the artist's lofty and virtuous personality through the liveliness (...) of the objects. I fully embrace the “capturing vitality” part of the literature, further fleshing it out not just by closely analyzing some of Su Shi's extant writings on painting but also by assessing them side by side with such European painters as Paul Cézanne and Francis Bacon. However, I find the “expressing personality” counterpart to be rather limited for interpreting Su Shi's esthetic thought and instead suggest the artistic effect of “becoming” as central to his ultimate esthetic aims. (shrink)

In this article, I will try to elucidate the relevance of Deleuze and Guattari’s approaches in the philosophy of education, along the lines of the Deleuzean pedagogy of ‘do with me’ and the absence of pre-established rules for learning or methodological anarchism. To do so, I will consider three important milestones in Deleuze and Guattari’s thought: (i) antihumanism as the matrix of a pedagogy of generosity, (ii) the primacy of functioning over meaning as a vindication of practical learning versus rote (...) learning, (iii) the concepts of ‘deterritorialisation-reterritorialisation’ as the unlearning required by all true learning. (shrink)

In this paper, I seek to examine Deleuze’s fascination with “spiritual automata” as a counterpoint to his more famous notion, the “body without organs”. I shall argue that both are grounded in a deep reflection, on Deleuze’s part, on the problems and issues generated by Spinoza’s notion of parallel attributes. Ultimately, I argue, the development of the two notions is motivated by identical metaphysical worries regarding the tenability of transformation, persistence, and affective interrelations between individuals. The answer, for both thinkers, (...) is the insertion of a “third” relational term, which virtually interfaces with each without violation of their parallel development. For Spinoza, such term is the absolutely infinite substance; for Deleuze, it is instead the notion of sense and the faculty of sense-making. (shrink)

Philosophy & Social Criticism, Ahead of Print. In this paper, I defend a conception of Deleuze’s two volumes dedicated to film – Cinema I: The Movement-Image, and Cinema II: The Time-Image – as protracted expressions of his political philosophy. In this context, I will elaborate the difficult and entwined political claims Deleuze makes on behalf of cinema: that it is capable of engendering a tentative ‘belief in the world’, such as is the necessary correlate of political action; that it captures (...) the contemporary political fact that ‘the people are missing’, as a unified or coherent political agent; and finally that it might reveal those ‘impossible’ or ‘intolerable’ situations which would provoke such a people into being. In advancing this conceptual triumvirate, I will argue that the claims made here on behalf of cinema overspill the art form itself, linking up with Deleuze’s broader political ontology of thought and constituting a generalised political philosophy proper to so-called ‘late-capitalism’. (shrink)

In this paper, I defend a conception of Deleuze’s two volumes dedicated to film – Cinema I: The Movement-Image, and Cinema II: The Time-Image – as protracted expressions of his political philosophy...

Ce texte a déjà paru sur Deleuze International en février 2009. Nous remercions Jean-Christophe Goddard de nous avoir autorisé à le reproduire ici. En introduction à L'art, l'éclair de l'être, paru en 1993, Maldiney consacre un texte à un article d'Oskar Becker initialement publié en 1929 et traduit et annoté en 1986 par Jacques Colette dans le n° 9 de la revue Philosophie. Le titre de l'article de Becker est « La fragilité du beau et la nature aventurière de l'artiste. (...) Une recherche ontologique dans le (...) - Philosophie – Nouvel article. (shrink)

This article has already been published in The Polish Journal of Aesthetics, Numer 61. We warmly thank Ineta Kivle and The Polish Journal of Aesthetics for the permission to republish it here.: During the pandemic situation while the usual order changes and the search for new elements of security become more active, rhythm studies may provide a deeper understanding of human and ongoing processes. The current study views rhythm as a force of stability in the context of - Philosophie – (...) Nouvel article. (shrink)