Abstract

In a cultural setting in which the imitation of nature continues to be regulated by the ambitious project to cancel the dividing line between the natural and the artificial, man continues to find space for his replicative fantasies, even at the cost of breaking cultural boundaries and taboos. On the other hand, as shown in the historical analogy, this ambition, aimed not only at a partial reproduction but a true replication, seems to exhibit developmental contours that lead to the same final results in terms of disillusionment and subsequent abandonment.