Sublimity and Postmodern Culture

In Critical aesthetics and postmodernism. New York: Oxford University Press (1993)
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Abstract

Explores the links made by Lyotard between postmodernism and the sublime in relation to the exhibition Les Immateriaux. Argues that the exhibition rightly identifies a sublimicism, which is a strong characteristic of postmodern sensibility. Offers an analysis of the ethics and politics of this sensibility.

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Citations of this work

The Toxic Sublime: Landscape Photography and Data Visualization.Carolyn Kane - 2018 - Theory, Culture and Society 35 (3):121-147.

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