Trash, Art, and the Comics

Canadian Journal of Philosophy:1-9 (forthcoming)
  Copy   BIBTEX

Abstract

Many comics are aesthetically trashy: They are immediately grasped and easily available. Historically, this trashiness is lobbed as an aesthetic defect of many comics, a defect for both their production and their appreciation. To defend these comics, some point to non-aesthetic values, like sociality. I argue that there is aesthetic value to these comics, and that it lies precisely in their trashy characteristics: their immediacy and availability. Many comics have these characteristics because many comics are cartooned. The immediacy of cartooning is precisely what makes so many ordinary comics beautiful in an ordinary way.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,497

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The Philosophy of Comics.Aaron Meskin - 2011 - Philosophy Compass 6 (12):854-864.
The Ontology of Comics.Aaron Meskin - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 31–46.
Comics as literature?Aaron Meskin - 2009 - British Journal of Aesthetics 49 (3):219-239.
Why Comics are not Films: Metacomics and Medium‐Specific Conventions1.Roy T. Cook - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 165–187.
The Moral Rules of Trash Talking: Morality and Ownership.Stephen Kershnar - 2015 - Sport, Ethics and Philosophy 9 (3):303-323.
Redefining Comics.John Holbo - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 1–30.
Making Comics into Film.Henry John Pratt - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 145–164.
Trash talk and Kantian values.Ornaith O’Dowd - 2022 - Journal of the Philosophy of Sport 49 (3):383-397.
Wordy Pictures: Theorizing the Relationship Between Image and Text in Comics.Thomas E. Wartenberg - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 85–104.
Comics, Prints, and Multiplicity.Roy T. Cook & Aaron Meskin - 2015 - Journal of Aesthetics and Art Criticism 73 (1):57-67.
Comics & Seriality.Christy Mag Uidhir - 2016 - In Frank Bramlett, Roy T. Cook & Aaron Meskin (eds.), The Routledge Companion to Comics. Routledge. pp. 248-256.
Defining Comics.Aaron Meskin - 2016 - In Frank Bramlett, Roy T. Cook & Aaron Meskin (eds.), The Routledge Companion to Comics. Routledge. pp. 221-229.

Analytics

Added to PP
2024-05-21

Downloads
13 (#1,043,598)

6 months
13 (#204,126)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

John Dyck
Auburn University

Citations of this work

No citations found.

Add more citations

References found in this work

A Philosophy of Mass Art.Noël Carroll - 1998 - Tijdschrift Voor Filosofie 62 (1):182-183.
Cheap Art and Creative Activism.Cathleen Muller - 2023 - Journal of Aesthetics and Art Criticism 81 (2):269-279.
Aesthetic Value, Moral Value, and the Ambitions of Naturalism.Peter Railton - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press. pp. 59--105.
High and low thinking about high and low art.Ted Cohen - 1993 - Journal of Aesthetics and Art Criticism 51 (2):151-156.

View all 9 references / Add more references